Saturday, April 05, 2014

An invitation to a Private View and a Sketchcrawl

Next Thursday evening, the Private View for the third exhibition of drawings by Urban Sketchers London takes place at Timberyard's Old Street branch on the evening of Thursday 10 April.

All those fellow sketchers who know me and can get to it are invited! I'll be there on the night sketchbook in hand! Leave a comment below if the date fits your diary (sorry for the short notice!)

Timberyard, 61-67 Old Street, London EC1V 9HW

Drawings by (top) Katherine Tyrrell
(bottom Jhih-Ren Shih
In addition to an opportunity to meet the artists - and maybe sketch with them - there will be live jazz from students at the nearby Guildhall School of Music.
The work of the six artists, Thomas Corrie, James Hobbs, Isabelle Laliberté, Jhih-Ren Shih, Katherine Tyrrell and Zhenia Vasiliev, ranges across everything that makes London the beautiful city it is: architecture, parks, its inhabitants, its iconic views and the forgotten and often overlooked corners of the city that stopping to draw can often bring into focus. The exhibits range in styles and approaches, but are all drawn from observation.
"Drawing in a sketchbook makes you slow down and look at your surroundings in a more reflective and inquiring way," says James Hobbs, an advisory board member of Urban Sketchers and the author of the newly published book Sketch Your World. "And cafes like Timberyard are popular places to relax, draw and share those images through social media."

Thomas Corrie and his friend relax
after hanging his artwork
Exhibitors include:
  • Architects Thomas Corrie and Isabelle Laliberté
  • James Hobbs, freelance editor and author of Sketch Your World
  • Katherine Tyrrell, who has a book about drawing published later this year
  • Digital designer Zhenia Vasiliev
  • Graphic designer Jhih-Ren Shih
Private View: 10th April 2014 (evening) at Timberyard www.timberyardlondon.com
61-67 Old Street, London EC1V 9HW

Exhibition: The show continues until 30 June and follows the second exhibition by different members of London's Urban Sketchers at the Seven Dials brand of Timberyard branch earlier this year. 

See the video taken during the hanging of the exhibition.

Sketchcrawl (date to be announced): There's also going to be a Sketchcrawl - using Timberyards as a base - in the near future but we've still to agree a date! Everyone is welcome to the event – the date is to be announced on social media shortly. The cafe will be the starting point for a planned sketchcrawl – a relaxed gathering of artists of all backgrounds, ages and abilities – that will work its way, around Old Street and the Barbican, stopping to draw on the way.

Urban Sketchers London: The group is part of a growing worldwide community of blogging artists – www.urbansketchers.org – who draw on location in and around the cities and towns where they live and visit. For more information about the show and London's Urban Sketchers visit urbansketchers-london.blogspot.com or follow @urbsketchlondon on Twitter

Urban Sketchers: Urban Sketchers was started by the Seattle-based reportage artist Gabriel Campanario in 2007, and now has regional blogs in more than 30 cities, an annual symposium and more than 32,000 Facebook followers, and it raises funds for artists grants and scholarships.


Saturday, March 29, 2014

Urban Sketchers London - new exhibition at Timberyard (Old Street)

Urban Sketchers London has a new exhibition - its third - at Timberyard (Old Street) which is one of those very trendy coffee shops with great food and even better coffee.

Thomas Corrie, Isabelle Laliberté, James Hobbs and Jhih-Ren Shih
The six members of Urban Sketchers London who made the trek to Clerkenwell this morning to hang their sketches are:
Most of the sketches have been hung in the basement. They're a great range of styles - as you can see from the video (below) and include those of three people who will be featuring in my new book about drawing and sketching! I've included short profiles of them below - with some photos which are looking awful because I adjusted a setting - and forgot to change it back!



There's going to be a private view sometime very soon for those in London who follow my sketches and those of other urban sketchers - I'll let you know the date as soon as it's confirmed.

In the meantime here's my pics of some of the work

Thomas Corrie produces some stunning pen and ink drawings of architectural features which take his fancy.
I am an architect and I draw to help me see and understand buildings and cities. Every year I take part in 28 Drawings Later, a challenge to draw something for every day in February. To keep focused I decided to use entrances as a theme for my sketches and I travelled to every location on my bicycle, usually in the morning before starting work. I sought out places I had not previously visited as well as going to some familiar sights.
Thomas Corrie with his drawings produced using pigment ink liners in a 200mm sketchbook
Jhih-Ren Shih (a.k.a. Lion Ren on Flickr) is an MA student from Wimbledon College of Art who had a very nifty app on his iPhone for testing out whether he had got his frames level!
I started sketching around five years ago. I saw a book talk about the urban sketch that evokes me to depicting my daily life. As a foreigner from Taiwan, I’m very exciting when I came to London, the exotic atmosphere intrigue me to drawing more and more sketches here. I like to explore to city with my sketches, especially when I found some scenes interesting or special. It not only just record my daily life in UK, also help me to communicate with the places I been to. 
Works by Isabelle Laliberté
Isabelle is an architect.
I have always drawn and painted a little, but joining Urban Sketchers in 2008 really freed my practice.  Sketching allows me to have richer memories of my travels.  Unlike a photograph, which is done in an instant, a sketch allows me to absorb more 'meta-data': the weather, the sounds, the smells, the light and the people are all embedded into a sketch.  As an architect, I have a natural tendency to draw the built environment - not only do I love buildings, but they tend not to move around so much...
James Hobbs is the ex-Editor of Artists & Illustrators, the current Editor of Discover Art and the author or Sketch Your World - which has now been published in the UK, USA and Asia.
Drawing in a sketchbook can change your view of the world. I usually carry an A6 and A5 sketchbook around with me, along with a small selection of permanent marker pens. The urban landscape, particularly that of my adopted home of London, is for me an endlessly diverting and energising subject. I sometimes use these drawings to make colour digital prints, which I sell in limited editions. 
Zhenia Vasiliev and Naomi Hobbs were a fabulous support in hanging my work. (I fall over too easily these days!). Unfortunately my photograph of his work is too bad to show.
For me, as both a graphic designer and illustrator, artistic practice is about a process of thinking rather than producing a finished piece. I love to think about the visual appearance of things - and drawing helps me with this, so sketching is a big part of my profession
my sketches of Syon Vista and Syon Reach


Saturday, March 22, 2014

Tea plus muffin and a video - at Lynn Painter Stainers

Tea and a Lemon and White Chocolate Muffin.....

at the Mall Galleries - viewing the Lynn Painter-Stainers Exhibition

Want to see more?

Saturday, January 25, 2014

A new place to sketch at the RA

The Shenkman Bar in the Keepers House at the RA
pen and sepia ink in Moleskine Sketchbook © Katherine Tyrrell

I've been sketching in the Friends Room at the Royal Academy of Arts for years - but the experience of trying to get in and get a seat had become more and more tortuous as the pressure on space from the 90k Friends became more intense.

In recent times, I've more often walked in, gasped at the queue and then walked straight out again and gone straight across the road to various options at Fortnum & Mason so I could contemplate whether an Annual Friends Membership (£90) is really worth it without access to the black leather sofas.

The Friends Room now has a new name and its own website page - the Sir Hugh Casson Room and the Belle Shenkman lounge on the new Friends website.

They've now removed the much beloved black leather Chesterfields and made it into a cafe with tables and hard seating which is open to the public after 4pm. (Mental note: Make sure I go to exhibitions in the morning in future!)

I think the RA have completely forgotten that rather a lot of the Friends are middle aged and older and very appreciative of a comfy place to sit down and have a cup of tea - and a quiet snooze before tackling the train home. It's a triumph of form over function! Lots of hard seats keep the Friends moving through fast. I suspect that those of us who with more than a few aches and pains who always appreciated the comfy seats may well continue to head across the road to the comfort of F&M as the sofas are very definitely no more.

However the RA have recently introduced a restaurant and bar in the basement of the Former Keepers House. The latter was where I sat and sketched on the more comfortable banquettes on Thursday night as I waited for the start of the Bloggers' Evening Preview of "Sensing Spaces: Architecture Reimagined" (for images and more about this see my blog post on Making A Mark later today).

The bar is comfortable and serves tea as well as cocktails!

I then had dinner with Ilaria Rosselli del Turco (Ilaria Rosselli Del Turco - News) - who'd I'd invited to come with me to the Bloggers Preview - in the very nice Restaurant, in the basement of the Keepers House. (see the menu) There I was introduced to Fregola with girolles in a broth with a soft poached egg. It's like a large couscous. Yum!

I'll definitely be returning to the restaurant - maybe for lunch next time.









Sunday, October 20, 2013

Lunch for one at the National Dining Rooms

This the lunch I had recently after I visited the new exhibition at the National Gallery - see Review: Facing the Modern - The Portrait in Vienna 1900.  I came out of the exhibition - in the basement of the Sainsbury Wing - found the lift and went up two floors to the National Dining Rooms

I sorted out my notes from the press preview and started my sketches of my Table d'Hote lunch. See National Dining Rooms menu [External website].  It came with a very nice glass of red wine.

Each is sketched fast in en and ink, then I colour fast using coloured pencils and finally I do a bit of finishing off at home - but it's not a lot.  The bulk is sketched in situ. For some reason I can't get the colour quite right on the first course and the background page colour is off.

Sweet Cured Devon Trout, Summer Beets, Wild watercress, Elderberry Vinegar
copyright Katherine Tyrrell
Borders Grouse, Scottish Girolles, Stornaway Black Pudding, (Straw Fries and Liver Toast)
copyright Katherine Tyrrell
Kentish Plums, Lavender Cream, Cobnuts and Wissey Honey
copyright Katherine Tyrrell

My tip for sketching meals

Don't try to include all of the plate.  There's no rule that says you can't crop plates out of the picture plane!

Monday, September 09, 2013

Sissinghurst Castle Garden in August

We paid a visit to Sissinghurst Castle Garden in Kent on a warm afternoon  in late August. Everything was set off by the brilliant blue skies.

I'm posting sketches in reverse order - because I like the one I finished last the best.  This is a coloured pencil sketch of the Rose Garden in the afternoon - with a contre jour aspect to the sunlight.  The colour was touched in while I was there and then I completed this part of the sketch at home.

You can see the very fast pen and ink sketch done in the garden below the colour sketch.

Sissinghurst Rose Garden - an afternoon in August
pen and sepia ink and coloured pencils in Moleskine Sketchbook, 8" x 10"
copyright Katherine Tyrrell
I was sketching very much "contre jour" so I was keen to get down the areas of darkest tone and the outlines of the shapes of the plants and flowers.

The original very fast sketch in pen and sepia ink on Moleskine Sketchbook
copyright Katherine Tyrrell
This is the sketch I did as we sat and ate our lunch before going into the garden.

The entrance to Sissinghurst Castle Garden 27 August 2013
pen and sepia ink and coloured pencils in Moleskine Sketchbook, 8" x 10"
copyright Katherine Tyrrell
You can see a lot more sketches of Sissinghurst on this blog - click Sissinghurst

It's amazing how many overseas visitors this garden gets.  I lost count of the languages I heard.

Friday, August 30, 2013

Sketching nature by the lake in Kew Gardens

Last Friday we went to Kew Gardens for the day - and spent the whole afternoon experiencing very warm weather and saying "It's going to rain soon" - but it didn't (until later that night)!

Kew Gardens - sketching nature by the lake
pen and sepia ink and coloured pencils, 8" x 10" in Moleskine Sketchbook
copyright Katherine Tyrrell
Good weather for birds though!

We have a favourite spot next to the lake where there are some benches and you can see all the birdlife as well as the plants which grow on the water margins.  The coot wanted to be in the sketch!

I've got an artwork planned and wanted some 'in situ' sketches of a plant - hence the above.

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